Wagma pashto singer biography examples
‘Displaced’ singer longs for home
By Jamil Khan @ Gulf Today-Sharjah, October 14, 2010
WAGMA, a well-known Pushto singer, is in town again, but this time she is not here to enthrall the audience with her charming voice and to make the community sing everlasting Pushto folksongs. Instead, she has been forced to stay here with her husband and children after receiving a number of threats to her life from a group of “unknown” individuals who seized her house after they broke into the place, around two weeks ago.
In a press conference held at a local hotel in Dubai, she appealed to the Ambassador of Pakistan and the Consul General in Dubai to intervene into the matter to free her house and to give her back her free life.
Wagma, who has received much recognition from the Government of Pakistan as well as from individual bodies, has recorded thousands of Pushto folksongs including ‘ghazal,’ ‘charbait,’ and ‘tappay.’ She has also been a playback singer for a score of Pushto films produced in Pakistan for the last two decades.
“I have been singing for my entire life and want to continue, which is not only my passion to serve the nation but is also my livelihood,” said Wagma, who began singing Pushto songs in 1989 at the Peshawar Centre and then went onto perform on various television stations in the country.
Threats received Push To Home Rules Syllabus Past Papers CSS Forums > CSS Optional subjects > Group H (Regional Languages) > Pushto Pashto for CSS User Name Password Remember Me? Home Search Register Awards Community Today's Posts LinkBack #1 Thread Tools Join Date: Jun 2008 Location: ||Under The Green Wood Trees|| Posts: 1,147 Thanks: 882 Thanked 1,606 Times in 751 Posts The Pukhtoon social structure, which has attracted the attention of many a scholar, is mainly governed by conventions and traditions and a code of honour known as "Pukhtoonwali". This un-written code is the keystone of the arch of the Pukhtoons' social fabric. It exercises a great influence on their actions and has been held sacrosanct by them generation after generation. The Pukhtoonwali or the Pukhtoon code of honour embraces all the activities from the cradle to the grave. It imposes upon the members of the Pukhtoon society four chief obligations. Firstly Nanawatey or repentance over past hostility or inimical attitude and grant of asylum, secondly Teega or a truce declared by a Jirga to avoid bloodshed between two rival factions, thirdly Badal or obligation to seek revenge by retaliation and fourthly Melmastiya or an open hearted hospitality which is one of the most sublime and noble features of Pukhtoon character. In a broad sense hospitality, magnanimity, chivalry, honesty, uprightness, patriotism, love and devotion for the country are the essential features of Pukhtoonwali. The history of Pukhtoonwali is as old as the history of the Pukhtoons and every individual of Pukhtoon society is expected to abide by these age-old traditions. The non-observance of these customary laws is considered disgraceful and may lead to expulsion of an individual o On The Mountain is looking for partners to screen with. We have developed a “screening in a box experience” with an interactive discussion guide, so that anyone can host a screening! We are partnering with festivals, NGOs, universities and art spaces to bring the film to audiences everywhere. If you’re interested in a screening, please reach out anya.arcmedia@gmail.com and we’ll organise one together! We are excited to share such a tender and complex story, and hope On The Mountain will educate audiences, evoke empathy, and spark action in the midst of continued social and political grappling for why and how we can better support Afghans following the devastating withdrawal of the U.S. military from Afghanistan in August 2021. This historic moment is an opportunity to encourage a culture of welcoming and embracing diversity in the US through advocating for greater compassion and resources as we support refugee families through their journey to their n .
“Unfortunately, there are some elements within our society that want to stop me from doing so,” she added, explaining that her family had received a number of threats over the last couple of months, and to avoid this she had left the country.
She pointed out that the decision to leave the country was a difficult one as they had no where else to go to hide and save their lives. “My husband (Liaquat) has been working here as an organiser for the last seven years and this was the only place where we could come,” she said.
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Pashto for CSS PUKHTOON WALI
Rabia is put to the test when she is forced to choose between saving the life she once knew, and protecting those she loves and leaving it all behind.
UNHCR estimates more than 1.6 million Afghans have fled the country since the Taliban takeover in 2021.
In 2023, there were at least 8.2 million Afghans hosted across 103 different countries - one of the largest protracted refugee situations in the world.
Conservatively, over 38 million people have been displaced by conflicts in Afghanistan, Iraq, Pakistan, Yemen, Somalia, the Philippines, Libya, and Syria since September 11, 2001.
Any number is limited in what it can convey about displacement’s damage. The people behind the numbers can be difficult to see, and numbers cannot communicate how it feels to lose one’s home, belongings, community, and much more. Displacement has caused incalculable harm to individuals, families, towns, cities, regions, and entire countries physically, socially, emotionally, and economically.