Orhan kilic biography of william

Ottoman prince (died 1553)

This article is about the son of Suleiman the Magnificent. For the son of Bayezid I, see Mustafa Çelebi. For the son of Mehmed I, see Küçük Mustafa. For the son of Mehmed the Conqueror, see Gülşah Hatun § Issue.

In this Ottoman Turkish style name, the given name is Mustafa, the title is Şehzade, and there is no family name.

Şehzade Mustafa (Ottoman Turkish: شهزاده مصطفى; c.1516/1517 – 6 October 1553) was an Ottoman prince, son of sultan Suleiman the Magnificent and his concubine Mahidevran Hatun. He was Suleiman's oldest survived son, the governor of Manisa from 1533 to 1541 and of Amasya from 1541 to 1553, when he was executed by his father's order on charges of sedition and treason.

Early life

Mustafa was born around 1516 or 1517 in Manisa to Suleiman, when he was a prince, and his concubine Mahidevran Hatun. After Suleiman's accession to the throne in 1520, after the death of his father Selim I, Mustafa and his mother came to reside in the Old Palace in Constantinople. With the deaths of his older half-brothers, Mahmud and Murad in 1520, Mustafa became his father's only heir until the birth of the children of the new favorite Hürrem Sultan starting from 1521.Pietro Bragadin, ambassador in the early years of Suleiman's reign, reported that Mustafa was his mother’s "whole joy". In June–July 1530, a three week celebration was organised in Constantinople that centered around the circumcision of Mustafa, and his younger half-brothers Mehmed, and Selim. The princes were circumcised on 27 June 1530. The festivities ranged from displays of captured enemy items to simulated battles, featuring performances by jugglers and strongmen, as well as reenactments of recent conflicts. Suleiman played a crucial role, observing everything from a loggia in the Hippodrome, while Pargalı Ibrahim Pasha actively oversaw the proceedings and presented extravagant gifts to the sultan and the princes.

Mrs. Jonnie M. Kilic, age 81 years of Niles, Michigan died at Noon on Sunday, March 23, 2014 at Michiana Health and Rehabilitation Center in Mishawaka, Indiana following an extended illness.

She was born on November 29, 1932 in Wittspring, Arkansas to John and Ira (White) Bogun. She graduated from Mendon High School, and earned her Registered Nurse degree from Detroit Mercy Hospital Nursing School. She has lived in Niles since 1964, coming from Detroit. Jonnie was a former surgical nurse, and sometimes subbed in her husband’s pediatric practice. She was also employed as secretary for 8 years in the office at Saint Mary of the Immaculate Conception Catholic Church in Niles, Michigan, where she was also a member of the parish.

Jonnie enjoyed writing poetry, and had been published in local college publications. She was also a gifted artist, working in oil and acrylic, and traded in antiques. She was very active at the South Bend Civic Theatre, serving as a costume designer, board member, and occasional director. She planned and implemented the new costume shop in the 2007 renovated SBCT and was the first Costume Shop Manager.

Jonnie was also an active member of the community. She belonged to charitable and community minded organizations such as Psi Iota Xi and Berrien County Civitan.

On March 24, 1961 in Tucson, Arizona she married Orhan Kilic, M.D. with whom she celebrated the thirty-sixth anniversary of their wedding prior to Dr. Kilic’s death on April 22, 1997.

Surviving family includes their daughters, Sevim Kilic of Toledo, Ohio and Seyhan Kilic of Niles; and Jonnie’s sisters, Helen (& Robert) Jones of Berkeley Springs, West Virginia and Winnie (& Donald) Hargreaves of Tucson, Arizona, and several nieces and nephews.

The Mass of Christian Burial for Jonnie Kilic will be celebrated at 11:00 a.m. on Monday, March 31, 2014 at Saint Mary Catholic Church by the Rev. David Otto with the Rev. Wi

Abstract

This article is going to discuss and compare two film adaptations of William Shakespeare’s classical drama The Tempest (1611). Julie Taymor’s The Tempest (2010) and Derek Jarman’s The Tempest (1979) are two peculiar representations specifically rewriting gender, race and power issues original text has dealt with. Reason behind the selection of The Tempest (1611) in this reseaarch is its specificity in the Western Drama in terms of having fragments from mythology, ancient Greek Drama, Latin Drama, Romance, Neoclassicism and Symbolism as well as discussing modern and universal issues like gender, race and power. The time Shakespeare wrote this play coincided with the beginning of English colonialism. In general, it rallies with the classical approaches of tragedy and comedy through combining their elements. The Tempest may be regarded as the initiation of the post-colonial drama. Adaptation of The Tempest into cinema and theatre is a long journey. In this study, Derek Jarman’s and Julie Taymor’s film adaptations are going to be discussed and compared regarding their postmodern drama elements. Both films are selected for analysis because of their focus on sexual identities. In order to contribute to previous studies regarding Shakespeare’s play The Tempest as a postmodern play because it contains themes that he puts at the center of postmodernism, as a result of the findings obtained at the end of the study, it is revealed that Tempest is a text that can be rewritten in accordance with the socio-cultural position and stance in the historical context. It can address audience of today with its themes and narrative and can be adapted to a postmodern film with its timelessness. The other conclusion of this research is that while Shakespeare’s play The Tempest was rewritten with a queer gaze in Derek Jarman’s adaptation in 1979, it was seen that the text was rewritten with a feminist discourse and narrative in Julie Taymor’s adaptation.

Referen

Spanish writer (1547–1616)

"Cervantes" redirects here. For other uses, see Cervantes (disambiguation).

"Miguel Cervantes" redirects here. For the American actor and singer, see Miguel Cervantes (actor).

Miguel de Cervantes Saavedra (sur-VAN-teez, -⁠tiz;Spanish:[miˈɣeldeθeɾˈβantessaaˈβeðɾa]; 29 September 1547 (assumed) – 22 April 1616 NS) was a Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists. He is best known for his novel Don Quixote, a work considered as the first modern novel. The novel has been labelled by many well-known authors as the "best book of all time" and the "best and most central work in world literature".

Much of his life was spent in relative poverty and obscurity, which led to many of his early works being lost. Despite this, his influence and literary contribution are reflected by the fact that Spanish is often referred to as "the language of Cervantes".

In 1569, Cervantes was forced to leave Spain and move to Rome, where he worked in